in this ongoing project, thomas passwater and i have been reflecting on the intersections of affect and materiality, on the interactions and extensions of self and/through objects in our composing process, on the way that selves and objects mean. below, you can see how we have written our way into this inquiry—and we invite you to click, read, and write your way into this project as well.
our “do” session “attend[s] to the tex[x]tures” and affects of converging materials and experiential realities to explore how “objects and [body]events mean” (Sedgwick, 2003; Massumi, 2002; Bora, 1997). we invite participants to compose with varieties of materials and respond to the sensed experience of writing.
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