Barthes, Roland. Camera Lucida: Reflections on Photography. [Part II]

Barthes, Roland. Camera Lucida: Reflections on Photography. New York, Hill and Wang, 2010. Summary: In the second part of Camera Lucida, Barthes's reflection centers on his mother's absence/presence [in photographs] as a means to get to the noeme [essence] of photography. Through personal reflection and subjective observation, he sifts through studium to locate punctum. Furthermore, he casts … Continue reading Barthes, Roland. Camera Lucida: Reflections on Photography. [Part II]

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Barthes, Roland. Camera Lucida: Reflections on Photography. [Part I]

Barthes, Roland. Camera Lucida: Reflections on Photography. New York, Hill and Wang, 2010. Summary: In the first half of Camera Lucida, Barthes unpacks the experiential reading of photography. Uninterested in empirical, rhetorical or aesthetic perspectives, he not only offers language for the affective photography experience, but also asserts that the sensations produced and received [and intra-acting] … Continue reading Barthes, Roland. Camera Lucida: Reflections on Photography. [Part I]

the mourning post as punctum

Barthes, Roland. Camera Lucida: Reflections on Photography. New York, Hill and Wang, 2010. thumbing through Camera Lucida (Barthes) in preparation for a project about mourning on social media. sensed possibilities: [Studium refers to experiencing an] average affect, almost from certain training ... studium ... which means a kind of general enthusiastic commitment, of course, but without … Continue reading the mourning post as punctum