Panagia, Davide. “The Viewing Subject”

Panagia, Davide. The Political Life of Sensation. Durham And London, Duke University Press, 2009. To remember: in producing an effect of 'seeing,' the painting in question constitutes itself as a force, thereby distributing a series of visual effects (98). the self-referentiality of representation ... insists on an order of mimesis that is not likeness but intensity ... … Continue reading Panagia, Davide. “The Viewing Subject”

Nelson, Julie D. An Unnecessary Divorce

Nelson, Julie. "An Unnecessary Divorce: Integrating the Study of Affect and Emotion in New Media." Composition Forum, vol. 34, 2016. Accessed 30 Aug. 2016. Abstract: Rhetoric and composition scholars’ almost exclusive reliance on Brian Massumi’s definition of affect has spurred a theoretical and practical divorce between “affect” and “emotion” in our field. This article returns … Continue reading Nelson, Julie D. An Unnecessary Divorce

Knudsen, Britta Timm & Carsten Stage. Introduction: Affective Methodologies

[proper citation pending arrival of hard copy] To remember: We define an affective method as an innovative strategy for (1) asking research questions and formulating research agendas relating to affec- tive processes, for (2) collecting or producing embodied data and for (3) making sense of this data in order to produce academic knowledge. [We] begin experimenting … Continue reading Knudsen, Britta Timm & Carsten Stage. Introduction: Affective Methodologies

Deleuze. Active and Reactive, The body

Deleuze, Gilles. Nietzsche and Philosophy. London: Continuum, 1983. 39-41. Print. To remember: 'We are in the phase of modesty of consciousness" [Nietzsche] (39). To remind consciousness of its necessary modesty is to take it for what it is: a symptom; nothing but the symptom of a deeper transformation and of the activities of entirely non-spiritual … Continue reading Deleuze. Active and Reactive, The body