Barthes, Roland. Camera Lucida: Reflections on Photography. [Part II]

Barthes, Roland. Camera Lucida: Reflections on Photography. New York, Hill and Wang, 2010. Summary: In the second part of Camera Lucida, Barthes's reflection centers on his mother's absence/presence [in photographs] as a means to get to the noeme [essence] of photography. Through personal reflection and subjective observation, he sifts through studium to locate punctum. Furthermore, he casts … Continue reading Barthes, Roland. Camera Lucida: Reflections on Photography. [Part II]

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Barthes, Roland. Camera Lucida: Reflections on Photography. [Part I]

Barthes, Roland. Camera Lucida: Reflections on Photography. New York, Hill and Wang, 2010. Summary: In the first half of Camera Lucida, Barthes unpacks the experiential reading of photography. Uninterested in empirical, rhetorical or aesthetic perspectives, he not only offers language for the affective photography experience, but also asserts that the sensations produced and received [and intra-acting] … Continue reading Barthes, Roland. Camera Lucida: Reflections on Photography. [Part I]

Sedgwick, Eve, and Adam Frank. “Shame in the Cybernetic Fold: Reading Silvan Tomkins”

Sedgwick, Eve, and Adam Frank. "Shame in the Cybernetic Fold: Reading Silvan Tomkins." Touching Feeling: Affect, Pedagogy, Performativity. Durham & London: Duke University Press, 2003. 93-122. Print. To remember: broad assumptions that shape heuristic habits and positing procedures of theory ... after Foucault, after Greenblatt, after Freud and Lacan, after Lévi-Strauss, after Derrida, after feminism … Continue reading Sedgwick, Eve, and Adam Frank. “Shame in the Cybernetic Fold: Reading Silvan Tomkins”