Panagia, Davide. The Political Life of Sensation. Durham And London, Duke University Press, 2009. To remember: in producing an effect of 'seeing,' the painting in question constitutes itself as a force, thereby distributing a series of visual effects (98). the self-referentiality of representation ... insists on an order of mimesis that is not likeness but intensity ... … Continue reading Panagia, Davide. “The Viewing Subject”
Barry, Lynda. Syllabus: Notes from an Accidental Professor. Montreal, Drawn & Quarterly, 2015. Summary: In this collage/course reflection/thought collection, Barry shares her experience as artist-in-residence at UW-Madison. To summarize is difficult. Barry captures force and essence in her compilation of syllabi, student work, and personal musings. The artwork is as compelling as the text as she draws … Continue reading Barry, Lynda. Syllabus: Notes from an Accidental Professor. (1)
Massumi, Brian. The Power at the End of the Economy. Durham and London, Duke University Press, 2015. To remember: It is the act of choice that is autonomous, in the dissociative dimension of the dividual [individual absorbed in its relation to itself] ... Choice spills from the readiness potential of the subject's affective blind spot, … Continue reading Massumi, Brian. “A Doing Done Through Me,” The Power at the End of the Economy
this: Sounds go through the muscles these abstract wordless movements they start off cells that haven’t been touched before ...waking up slowly. —Björk Gudmundsdóttir evokes thought of this: touches me differently each time, but always awakens some lovely thing[s].
Cixous, Hélène. "The Laugh of the Medusa." The Rhetorical Tradition: Readings from Classical Times to the Present, edited by Patricia Bizzell and Bruce Herzberg, Boston & New York, Bedford/St. Martin's, 2001, pp. 1520-36. To remember: about women's writing: about what it will do (1524). I refuse to strengthen [the effects of the past] by repeating … Continue reading Cixous, Hélène. “The Laugh of the Medusa.”
I'm always thinking about what are the potentials for the body. What can we be? Who could we be? Who could we become? -Saya Woolfalk wanting to put The Empathics into conversation with Blackman's work in body studies and Manning's relational movement concepts, as well as explore this project from a cultural/comparative and/or visual rhetorics perspectives ... … Continue reading performing empathies [the empathics]
Fleckenstein, Kristie S. "Bodysigns: A Biorhetoric for Change." JAC, vol. 21, no. 4, 2001., pp. 761-790. To remember: "our language and our writing should be adequate enough to make our dreams, our visions, our stories, our thinking, and our actions not just revolutionary but transformative" ("Freedom" 46) (761). Susan Jarratt notes that "both feminist inquiry … Continue reading Fleckenstein, Kristie. Bodysigns (part one)