Barthes, Roland. Camera Lucida: Reflections on Photography. [Part I]

Barthes, Roland. Camera Lucida: Reflections on Photography. New York, Hill and Wang, 2010. Summary: In the first half of Camera Lucida, Barthes unpacks the experiential reading of photography. Uninterested in empirical, rhetorical or aesthetic perspectives, he not only offers language for the affective photography experience, but also asserts that the sensations produced and received [and intra-acting] … Continue reading Barthes, Roland. Camera Lucida: Reflections on Photography. [Part I]

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Punctum: Reflections on Photography, edited by Séamus Kealy

Punctum: Reflections on Photography, edited by Séamus Kealy, Salzburg, Salzburger Kunstverein, 2014. Producing Punctum, Boris Groys Groys compares/contrasts Barthes's analysis of mother-referent photographs to Siegfried Kracauer's analysis of his grandmother's photos in Die Photographie (1927). For Kracauer, every photograph is merely, as he says, a general inventory of diverse fragments or details that lacks any inner unity … Continue reading Punctum: Reflections on Photography, edited by Séamus Kealy

the mourning post as punctum

Barthes, Roland. Camera Lucida: Reflections on Photography. New York, Hill and Wang, 2010. thumbing through Camera Lucida (Barthes) in preparation for a project about mourning on social media. sensed possibilities: [Studium refers to experiencing an] average affect, almost from certain training ... studium ... which means a kind of general enthusiastic commitment, of course, but without … Continue reading the mourning post as punctum