Barthes, Roland. Camera Lucida: Reflections on Photography. [Part I]

Barthes, Roland. Camera Lucida: Reflections on Photography. New York, Hill and Wang, 2010. Summary: In the first half of Camera Lucida, Barthes unpacks the experiential reading of photography. Uninterested in empirical, rhetorical or aesthetic perspectives, he not only offers language for the affective photography experience, but also asserts that the sensations produced and received [and intra-acting] … Continue reading Barthes, Roland. Camera Lucida: Reflections on Photography. [Part I]

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Knudsen, Britta Timm & Carsten Stage. Introduction: Affective Methodologies

[proper citation pending arrival of hard copy] To remember: We define an affective method as an innovative strategy for (1) asking research questions and formulating research agendas relating to affec- tive processes, for (2) collecting or producing embodied data and for (3) making sense of this data in order to produce academic knowledge. [We] begin experimenting … Continue reading Knudsen, Britta Timm & Carsten Stage. Introduction: Affective Methodologies

Peary, Alexandria. “The Role of Mindfulness in Kairos”

Alexandria Peary (2016) The Role of Mindfulness in Kairos, Rhetoric Review, 35:1, 22-34, DOI: 10.1080/07350198.2016.1107825 Quotations [digestions]: Mindfulness approaches offer guidance in noticing the present, which can be applied to the rhetorical situation of composing to achieve positive outcomes in invention, engagement, and fluency. Mindfulness enhances kairotic practice in three important ways: first, by including … Continue reading Peary, Alexandria. “The Role of Mindfulness in Kairos”