Barthes, Roland. Camera Lucida: Reflections on Photography. [Part II]

Barthes, Roland. Camera Lucida: Reflections on Photography. New York, Hill and Wang, 2010. Summary: In the second part of Camera Lucida, Barthes's reflection centers on his mother's absence/presence [in photographs] as a means to get to the noeme [essence] of photography. Through personal reflection and subjective observation, he sifts through studium to locate punctum. Furthermore, he casts … Continue reading Barthes, Roland. Camera Lucida: Reflections on Photography. [Part II]

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touching [writing, writing] feeling

Handout/notes from yesterday's WIDE-EMU '16 presentation with my brilliant colleague, Thomas Passwater. touching [writing, writing] feeling The sense of physical touch itself, at least so far, has been remarkably unsusceptible to being amplified by technology (Sedgwick 15). The experience named “writing” is this violent exhaustion of the discourse in which “all sense” is altered, not into another … Continue reading touching [writing, writing] feeling

performing empathies [the empathics]

I'm always thinking about what are the potentials for the body. What can we be? Who could we be? Who could we become? -Saya Woolfalk wanting to put The Empathics into conversation with Blackman's work in body studies and Manning's relational movement concepts, as well as explore this project from a cultural/comparative and/or visual rhetorics perspectives ... … Continue reading performing empathies [the empathics]

Sedgwick, Eve. Touching Feeling Introduction

Sedgwick, Eve. Touching Feeling: Affect, Pedagogy, Performativity. Durham & London: Duke University Press, 2003. Print. To remember: Famously, these are a cluster of sentences about which "it seems clear that to utter the sentence (in, of course, the appropriate circumstances) is not to describe my doing [a thing] ... or to state that I am … Continue reading Sedgwick, Eve. Touching Feeling Introduction